Much like professional wrestlers became "sports entertainers," many professional magicians prefer the title of "illusionist," both name changes serving largely to shut up detractors who cry, "Fake!" Instead of convincing you that I have a power greater than your own that allows me to materialize a coin within your ear, I ask you to appreciate my skill at hiding a coin in my hand even under close inspection and creating the illusion that I am withdrawing it from your ear.

Instead, the producers came back from that well with two of those ideas, bringing together Criss Angel, one of the hottest commodities in magic today thanks to his A&E show "Mindfreak," and Cirque du Soleil's bizarre Québécois homoeroticism.
Unfortunately, while the combination could have made for a groundbreaking show, instead the whole is worth significantly less than the sum of it's parts. In trying to be both magic show and Cirque du Soleil, Believe winds up not really doing either very well.

Finally, Criss Angel comes out and the mood shifts to something more akin to a rock concert. Girls are screaming how much they love him while the Mindfreak theme (and I'm guessing canned audience noise) blasts over the speakers and a montage of scenes from the show plays on the full stage video screen. Criss descends to the stage from the rafters and jumps around telling everyone how crazy tonight is going to be. The whole time, he's being followed by a woman with a camera and the live feed is being broadcast on the video screen. He does a couple of effects, then gets into an argument with the camerawoman, who storms off stage. He calls her a bitch and implies she's on her period.
Then things shift gears and the question of what Believe is supposed to be--magic show or play--arises. During his next effect, things go wrong. Criss gets hurt, though it's obviously staged. I say that not to be one of the aforementioned detractors who cries, "Fake!" Rather, the entire scene plays out with strange lighting, sound, and video effects--including a sequence that inadvertently exposes how an earlier illusion was done. The clowns rush onto the stage to put him on a stretcher and someone grabs the camera to follow them as they rush to the ambulance. On the big screen we see Criss, covered in third degree burns, then a zoom in to his eye... which then turns into the eye of a rabbit.

The assistants help rejoin Criss's body parts and revive him in a cloud of smoke that is too thick to see through and hides the dummy of body parts for 10-15 seconds, more than enough time for Criss to climb out from behind the clamp holding the dummy, take it's place, and dump the body parts in the spot from which he emerged.
This is a prefect example of where Believe fails as a magic show. In most magic shows, when someone flies, they make a point of telling you there are no wires and trying to prove there are no wires. We're all familiar enough with special effects to know wires are used in film, TV, and on stage to make people fly. If you go see Peter Pan, you don't expect proof that Peter is defying gravity. You accept that a wired harness is necessary. The majority of Believe's are pulled off with what seems to be an expectation of this same attitude.

Understand, the effects were performed smoothly and professionally, but the "how did he do that?" factor was all but gone. Clowns dress him in an awkwardly bulky suit before he begins producing a dozen white doves from nowhere. We are shown a trap door in the middle of the stage on several occasions, then are supposed to forget we saw them when people vanish from those same spots later. Criss walks down a vertical wall, then is hugged by his assistants who are clearly removing the wires from his back.
Given all this, I became convinced I was supposed to be viewing Believe as a play rather than as a magic show. None of the magic was particularly innovative--Theodore Anneman was performing the second effect in the show back in the 1930's and was able to pull it off without the help of four French Canadian assistants--and Criss is a student of magic who certainly knew he was using tried and true effects that have been part of the business for decades. I suspected his goal was to use traditional, familiar effects to move the show along, similar to the idea of building an entire play around ABBA songs that viewers are familiar with. Since we already know how magicians saw a woman in half, we don't question how they cut Criss in half, we are just supposed to question why.

None of it makes any sense from scene to scene and the Cirque du Soleil performers are little more than dancers. There aren't contortionists or people flipping over one another or any of the other spectacular physical feats that made it a Vegas powerhouse. There is one part where a woman twists herself in what appears to be medical tubing suspended from the sky, but that's the only uniquely Cirque thing I can point to.
It's been two days since I saw Believe and I'm still not sure what I think. I know it was flawed, but I'm still not sure whether it's a flawed play or a flawed magic show. Unfortunately, it seems the producers' goal of combining the best elements of both genres instead compounded the problems of each.
That said, I'd still go see it 100 times out of 100 if I had to choose between it and Fantasy.
Labels:
reviews
Subscribe to:
Post Comments (Atom)
Links
Hateful History
Hateful Topics
- advertising (10)
- Aquaman (3)
- art (4)
- Avengers (1)
- baseball (9)
- basketball (4)
- Batman (17)
- Bendis (3)
- boobs (8)
- Captain America (1)
- childhood memories (6)
- CM Punk (1)
- comic books (129)
- comic strips (15)
- comics (1)
- Daredevil (2)
- economics (3)
- education (1)
- espn sucks (2)
- Facebook (10)
- Fantastic 4 (11)
- feminism (2)
- football (9)
- gay (8)
- Green Lantern (2)
- hentai (1)
- hockey (1)
- Hulk (1)
- Jimmy Olsen (18)
- John Cena (3)
- Legion (1)
- Lois Lane (15)
- Madrox (1)
- movies (2)
- Mr. T (5)
- music (1)
- my life (11)
- ninjas (6)
- NPR (9)
- PBS (4)
- Photoshop (11)
- politics (50)
- Punisher (2)
- Quincy (8)
- Radio Shack (5)
- Red Skelton (3)
- religion (16)
- Republicans (1)
- reviews (42)
- Rick Jones (1)
- Rob Liefeld (1)
- Spider-Man (1)
- statistics (2)
- Supergirl (17)
- Superman (64)
- Ted Cruz (1)
- Terra-Man (3)
- theatre (2)
- Trump (2)
- Ultimate Warrior (7)
- video (46)
- war comics (1)
- Wolverine (1)
- Wonder Woman (1)
- wrestling (11)
- writing (6)
- Xmas (13)
- Youngblood (4)
0 sarcastic replies: